Upcoming/Recent Conference Papers, Panels and lectures

Paper title TBD, Conference on “Metamorphoses of the Musical Work: Self-Recasting and Rewriting in the Twentieth Century,” Fondazione Giorgio Cini, October 29–30, 2026.

“An Aural and Computer-aided Analytical Workflow for Contemporary Instrumental Music,” 11th European Music Analysis Conference, Barcelona, September 7–10, 2026.

“Japanese Musical Identity and East–West Correlation: Theory and Practice in Fumio Hayasaka,” Paper as part of the panel session “East Meets West? Rethinking the East/West Binary in Modern East Asian Music,” 9th Biennial International Conference on Analytical Approaches to World Musics, July 15, 2026.

“Fractal Composition as Mediated Automation: Saariaho’s Verblendungen,” Dublin Music Analysis Conference, July 14, 2026.

“Unfolding Material: Compositional Technique in Pierre Boulez’s Pli selon pli,” guest lecture at Universität Wien (Institut für Musikwissenschaft), January 14, 2026.

“Expansion of Timbre, Texture and Noise in 20th–21st Century Music,” invited lecture at the University of Kyoto, December 8, 2025 .

“Obsolete Digital Media and the Reconstruction of Memory: Kaija Saariaho’s Electroacoustic Compositional Practice (1986–1992)”, The Annual Conference of the Österreichischen Gesellschaft für Musikwissenschaft, Linz, November 14, 2025.

“Theorising Modern Music in East Asia: A Dialogue on Shared Sounds, Traditions and Imageries”, Roundtable with Kelvin Lee and Anqi Wang, Manchester Music Analysis Conference, July 15, 2025.

“Contemporary Music Analysis and Auditory Memory: The Use of Computational Tools as an Aid for Listening”, Co-authored paper with Olivier Lartillot, NOVA Contemporary Music Meeting 2025 “Today’s Music Memory”, Lisbon, May 8, 2025.

“Towards an Integrated Analysis of Contemporary Music: Score, Sound and Computational Tools”, Kunstuniversität Graz IEM signale graz Soirée Seminar, March 24, 2025.

“Towards Collaborative Analysis: Kaija Saariaho’s IO (1986–87)”, Roundtable with Miriam Akkermann, Olivier Lartillot and Michelle Ziegler, 13th Biennial International Conference on Music since 1900, Leuven, September 14, 2024.

“The sound-noise Continuum in Contemporary Music: Listening, Mapping and Interpretation”, Oxford Seminar in Music Theory & Analysis at the University of Oxford (OSiMTA), February 20, 2024.