Peer-review articles
Sudo, Marina. “More than Meets the Eye: Derivation and Stratification in Boulez’s Don (1962).” Music Analysis 39, no. 3 (2020): 359–86.
Book chapters
Sudo, Marina. “Listening Within the Absence: The Musical Potential of Noise in Peter Ablinger’s Composition.” in Aesthetics of Absence: Music in the New Millennium, Edinburgh University Press (forthcoming).
Sudo, Marina. “Stretching Musicality to the Extreme: Vertical Composition in Merzbow’s Noise Music,” in Noise as a Constructive Element in Music: Theoretical and Music-Analytical Perspectives (“Musical Cultures of the Twentieth Century” series), 194–208, edited by Mark Delaere, London: Routledge, 2022.
Sudo, Marina. “Stratification of sound masses in Xenakis’s Gmeeoorh (1974).” In Exploring Xenakis: Performance, Practice, Philosophy, edited by Alfia Nakipbekova, 37–51, Wilmington: Vernon Press, 2019.
PhD Dissertation
Sudo, Maria. “The Nature of Noise. Aural Analytical Inquiry of Noise in Contemporary Musical Practice: Xenakis, Lachenmann, Ablinger and Merzbow.” University of Leuven, 2021. Download from this page.
Other writings
Sudo, Marina. “Raphaël Cendo.” MGG Online (forthcoming).
Sudo, Marina. “De ‘Tombeau’ à ‘Don’: filiations par symétries voilées dans Pli selon pli de Pierre Boulez.” Mitteilungen der Paul Sacher Stiftung 29 (2016), 47–52.