Peer-review articles

Sudo, Marina. “Listening to Noise and Listening to Oneself: An Analysis of Peter Ablinger’s Orgel und Rauschen.” Musicologica Austriaca: Journal for Austrian Music Studies (December 22, 2020). http://musau.org/parts/neue-article-page/view/95

Sudo, Marina. “More than Meets the Eye: Derivation and Stratification in Boulez’s Don (1962).” Music Analysis 39, no. 3 (2020): 359–86.

Book chapters

Sudo, Marina. “Stratification of sound masses in Xenakis’s Gmeeoorh (1974).” In Exploring Xenakis: Performance, Practice, Philosophy, edited by Alfia Nakipbekova, 37–51, Wilmington: Vernon Press, 2019.

Sudo, Marina. “Stretching Musicality to the Extreme: Vertical Composition in Merzbow’s Noise Music,” in Noise as a Constructive Element in Music: Theoretical and Music-Analytical Perspectives, edited by Mark Delaere, Routledge, forthcoming.

Other writings 

Sudo, Marina. “De ‘Tombeau’ à ‘Don’: filiations par symétries voilées dans Pli selon pli de Pierre Boulez.” Mitteilungen der Paul Sacher Stiftung 29 (2016), 47–52.