Recent/Upcoming Conference Papers, Panels and Seminar Talks

“Expansion of Timbre, Texture and Noise in 20th–21st Century Music,” invited lecture at the University of Kyoto, December 8, 2025 (forthcoming).

“Obsolete Digital Media and the Reconstruction of Memory: Kaija Saariaho’s Electroacoustic Compositional Practice (1986–1992)”, The Annual Conference of the Österreichischen Gesellschaft für Musikwissenschaft, Linz, November 14, 2025.

“Theorising Modern Music in East Asia: A Dialogue on Shared Sounds, Traditions and Imageries”, Roundtable with Kelvin Lee and Anqi Wang, Manchester Music Analysis Conference, July 15, 2025.

“Contemporary Music Analysis and Auditory Memory: The Use of Computational Tools as an Aid for Listening”, Co-authored paper with Olivier Lartillot, NOVA Contemporary Music Meeting 2025 “Today’s Music Memory”, Lisbon, May 8, 2025.

“Towards an Integrated Analysis of Contemporary Music: Score, Sound and Computational Tools”, Kunstuniversität Graz IEM signale graz Soirée Seminar, March 24, 2025.

“Towards Collaborative Analysis: Kaija Saariaho’s IO (1986–87)”, Roundtable with Miriam Akkermann, Olivier Lartillot and Michelle Ziegler, 13th Biennial International Conference on Music since 1900, Leuven, September 14, 2024.

“The sound-noise Continuum in Contemporary Music: Listening, Mapping and Interpretation”, Oxford Seminar in Music Theory & Analysis at the University of Oxford (OSiMTA), February 20, 2024.

“Messiaen Reception in Post-war Japanese Music”, International Symposium “Inspiration, Annäherung oder Rivalität? Das musikalische Dreieck Deutschland–Japan–Frankreich in der zweiten Hälfte des 20. Jahrhunderts”, Leipzig, September 11, 2023.

“Listening within the Absence: Peter Ablinger’s Composition and the Musical Potential of Noise”, International Conference “The Aesthetics of Absence in Music of the Twenty-First Century”, Oslo, May 26, 2023.