Recent/Upcoming Conference Papers, Panels and Seminar Talks

“Theorising Modern Music in East Asia: A Dialogue on Shared Sounds, Traditions and Imageries”, Roundtable with Kelvin Lee and Anqi Wang, Manchester Music Analysis Conference, July 14–16, 2025 (forthcoming).

“Contemporary Music Analysis and Auditory Memory: The Use of Computational Tools as an Aid for Listening”, Co-authored paper with Olivier Lartillot, NOVA Contemporary Music Meeting 2025 “Today’s Music Memory”, Lisbon, May 8, 2025.

“Towards an Integrated Analysis of Contemporary Music: Score, Sound and Computational Tools”, Kunstuniversität Graz IEM signale graz Soirée Seminar, March 24, 2025.

“Towards Collaborative Analysis: Kaija Saariaho’s IO (1986–87)”, Roundtable with Miriam Akkermann, Olivier Lartillot and Michelle Ziegler, 13th Biennial International Conference on Music since 1900, Leuven, September 14, 2024.

“The sound-noise Continuum in Contemporary Music: Listening, Mapping and Interpretation”, Oxford Seminar in Music Theory & Analysis at the University of Oxford (OSiMTA), February 20, 2024.

“Messiaen Reception in Post-war Japanese Music”, International Symposium “Inspiration, Annäherung oder Rivalität? Das musikalische Dreieck Deutschland–Japan–Frankreich in der zweiten Hälfte des 20. Jahrhunderts”, Leipzig, September 11, 2023.

“Listening within the Absence: Peter Ablinger’s Composition and the Musical Potential of Noise”, International Conference “The Aesthetics of Absence in Music of the Twenty-First Century”, Oslo, May 26, 2023.