査読学術論文
Sudo, Marina. “More than Meets the Eye: Derivation and Stratification in Boulez’s Don (1962).” Music Analysis 39, no. 3 (2020): 359–86.
論文集寄稿論文
Sudo, Marina. “Listening within the Absence: The Musical Potential of Noise in Peter Ablinger’s Composition.” in Aesthetics of Absence: Music in the New Millennium, edited by Christine Dysers, Peter Edwards and Judith Lochhead, Edinburgh University Press (forthcoming).
Sudo, Marina. “Messiaen Reception in Post-war Japan (1950s–1980s).” In Inspiration, Annäherung oder Rivalität? Das musikalische Dreieck Deutschland–Japan–Frankreich in der zweiten Hälfte des 20. Jahrhunderts, Georg Olms Verlag (forthcoming).
Sudo, Marina. “Stretching Musicality to the Extreme: Vertical Composition in Merzbow’s Noise Music,” in Noise as a Constructive Element in Music: Theoretical and Music-Analytical Perspectives (“Musical Cultures of the Twentieth Century” series), 194–208, edited by Mark Delaere, London: Routledge, 2022. (Open access content available here.)
Sudo, Marina. “Stratification of sound masses in Xenakis’s Gmeeoorh (1974).” In Exploring Xenakis: Performance, Practice, Philosophy, edited by Alfia Nakipbekova, 37–51, Wilmington: Vernon Press, 2019.
博士論文
Sudo, Maria. “The Nature of Noise. Aural Analytical Inquiry of Noise in Contemporary Musical Practice: Xenakis, Lachenmann, Ablinger and Merzbow.” University of Leuven, 2021.
その他の出版物（英語、独語および仏語）
Sudo, Marina. “De ‘Tombeau’ à ‘Don’: filiations par symétries voilées dans Pli selon pli de Pierre Boulez.” Mitteilungen der Paul Sacher Stiftung 29 (2016), 47–52.
日本語寄稿文
準備中
現在執筆中の論文（一部）
“Reframing Innovation and Musical Modernism in the Post-Digital Age: Stefan Prins and Franck Bedrossian.”
Chapter in preparation for proposed edited volume on Music’s Contemporary Modernisms.
“Integration elektroakustischer Klänge in Kaija Saariahos Werken der 1980er Jahre.”
Contribution in preparation for Musik-Konzepte special issue on Kaija Saariaho.