学会発表、 ゲストレクチャー等

“An Aural and Computer-aided Analytical Workflow for Contemporary Instrumental Music,” 11th European Music Analysis Conference, Barcelona, September 7–10, 2026.

“Japanese Musical Identity and East–West Correlation: Theory and Practice in Fumio Hayasaka,” Paper as part of the panel session “East Meets West? Rethinking the East/West Binary in Modern East Asian Music,” 9th Biennial International Conference on Analytical Approaches to World Musics, July 15, 2026.

“Fractal Composition as Mediated Automation: Saariaho’s Verblendungen,” Dublin Music Analysis Conference, July 14, 2026.

“Unfolding Material: Compositional Technique in Pierre Boulez’s Pli selon pli,” guest lecture at Universität Wien (Institut für Musikwissenschaft), January 14, 2026.

「音色・音響・ノイズの拡大と20–21世紀音楽」、京都大学公開講座（人間・環境学研究科上田泰史研究室主催）、2025年12月8日。

「ブーレーズ研究と作品演奏の現在および受容の変容」、日本アルバン・ベルク協会レクチャー、2025年12月5日。

“Obsolete Digital Media and the Reconstruction of Memory: Kaija Saariaho’s Electroacoustic Compositional Practice (1986–1992)”, The Annual Conference of the Österreichischen Gesellschaft für Musikwissenschaft, Linz, November 14, 2025.

“Theorising Modern Music in East Asia: A Dialogue on Shared Sounds, Traditions and Imageries”, Roundtable with Kelvin Lee and Anqi Wang, Manchester Music Analysis Conference, July 15, 2025.

“Contemporary Music Analysis and Auditory Memory: The Use of Computational Tools as an Aid for Listening”, Co-authored paper with Olivier Lartillot, NOVA Contemporary Music Meeting 2025 “Today’s Music Memory”, Lisbon, May 8, 2025.

“Towards an Integrated Analysis of Contemporary Music: Score, Sound and Computational Tools”, Kunstuniversität Graz IEM signale graz Soirée Seminar, March 24, 2025.

“Towards Collaborative Analysis: Kaija Saariaho’s IO (1986–87)”, Roundtable with Miriam Akkermann, Olivier Lartillot and Michelle Ziegler, 13th Biennial International Conference on Music since 1900, Leuven, September 14, 2024.

“The sound-noise Continuum in Contemporary Music: Listening, Mapping and Interpretation”, Oxford Seminar in Music Theory & Analysis at the University of Oxford (OSiMTA), February 20, 2024.